{"version":"1.0","provider_name":"EUTOP\u00cdA","provider_url":"https:\/\/blogs.hoac.es\/eutopia","author_name":"Firma invitada","author_url":"https:\/\/blogs.hoac.es\/eutopia\/author\/comunicacion\/","title":"\"La mano invisible\": Dramaturgia del trabajo - EUTOP\u00cdA","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"i6ymyCyD6d\"><a href=\"https:\/\/blogs.hoac.es\/eutopia\/la-mano-invisible-dramaturgia-del-trabajo\/\">\u00abLa mano invisible\u00bb: Dramaturgia del trabajo<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/blogs.hoac.es\/eutopia\/la-mano-invisible-dramaturgia-del-trabajo\/embed\/#?secret=i6ymyCyD6d\" width=\"600\" height=\"338\" title=\"\u00ab\u00abLa mano invisible\u00bb: Dramaturgia del trabajo\u00bb \u2014 EUTOP\u00cdA\" data-secret=\"i6ymyCyD6d\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/blogs.hoac.es\/eutopia\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","description":"&nbsp; &nbsp; I\u00f1aki Lancelot.\u00a0La primera pel\u00edcula de Carlos Iglesias, \u00abUn Franco, catorce pesetas\u00bb, cambiaba el punto de vista dominante en aquel momento en una Espa\u00f1a que se sent\u00eda pa\u00eds receptor de migrantes. De soslayo, como sin quererlo, describ\u00eda con gran exactitud el ambiente laboral espa\u00f1ol en la d\u00e9cada de los sesenta. Viene al caso la &hellip; Continuar leyendo \"\"","thumbnail_url":"http:\/\/blogs.hoac.es\/eutopia\/wp-content\/uploads\/2017\/04\/1595-La-mano-invisible.-MadAvenue-14884680-1024x430.jpg"}